one source talent auditioning tips for dancers

one source talent auditioning tips for dancers PREPERATION

• Read audition notices carefully. Come prepared to audition – bring pointe shoes, etc. as requested.
• Do homework – research the organization, find out who you are replacing and if they are looking for a specific type.
• Be aware of the fact that AGMA companies are required to hold “open” auditions even if they know whom they want.
• Audition as much as you can to gain experience.
• Be neat – do not have holes in your dance clothes – and wear clothes that are flattering and comfortable.
• Most companies want to see dancers at scheduled auditions, but dancers can be invited to take company classes.
• Private auditions improve your chance of landing the job.
• If there are no positions available, ask when they will know if a contract is opening up.
• Do not call too often - perhaps once every two weeks.
• Keep fit – directors usually view you as you are – they assume you look the best you will ever look.
• Be prepared to pay a fee. Some companies charge for auditions.

TYPES

• Ballet Auditions –Usually in the form of a class (barre, center combinations, en diagonale).
• Modern Auditions – usually warm-up exercises and combinations across the floor – perhaps improvisation.
• Musical Theater Auditions – versatility translates into employability.
DURING
• Never be late! Arrive early to warm up and settle.
• Always be polite – watch your attitude.
• Approach each audition as a learning experience; turn your fear into excitement.
• Treat auditions like a performance – give it your best shot, do it in full out style, dance with clarity and conviction.
• Mix with other dancers. Ask questions – you may learn something valuable.
• Be aware that choreographers and directors look for personal qualities.
• Watch the directors – look at whom they are watching. You can learn about the quality of the dancer they are seeking.
• Concentrate and maintain your composure.
• Do not wear braces, wrapped badges, etc. – lest you look injury-prone.
• Try to go in the middle so that you can watch dancers before you go.
• Dance the combinations exactly as given – do not interpret or improvise unless asked to do so.
• Watch for quality of movements. Access the style of the company and listen to directives.
• Always maintain eye contact.
• Be mindful of you behavior when not dancing. You are probably being watched.
• You may be required to return two or three times for line up.
• Be prepared to sing and read a scene.

AFTER

• Evaluate how you did so you will know what your weaknesses are – turns, jumps, fast foot work, etc.
• Wear the same dance clothes and hairstyle each time you are called back so that you can become easily identifiable.
• Interviews may be a deciding factor.
• And remember: do not take rejection as failure – you may be the wrong height, type, etc.